There are two interviews. One with Dr. Nelson (youtube) and one with Nikesha Breeze (link to Spotify).
Key players to get “Four Sites of Return: Ritual, Remembrance, Reparation, and Reclamation” out into the public; Jon Eddy of Form & Concept in Santa Fe, Marisa Sage, Earthseed Black Arts Alliance (Vital Spaces fiscal agent), Meow Wolf and Hakim Bellamy (project manager and Black Education Act council member), Taos Center for the Arts, KNCE 93.5 FM, the National Endowment for the Humanities and NMSU Art Museum.
Our organization notes ongoing concerns with lack of acknowledgment and improper use of Dr. Nelson's work by the Taos, Santa Fe, Albuquerque and Roswell "Black" community. Despite attempts by Marissa Roybal to facilitate a dialogue, including proposing a presentation by Dr. Nelson to the council, efforts were rebuffed. Dr. Nelson, a historian and racial justice scholar, encountered direct omission of his contributions, notably at an Albuquerque Museum exhibition which credited Austin Miller, citing Dr. Nelson's work, without recognizing Dr. Nelson himself.
Attempts to address these issues, including a proposed meeting with Vickie Bannerman and Hakim Bellamy, were unproductive. This led Dr. Nelson to resign, refusing to condone the mistreatment and underrepresentation of his work.
In December, Chelsea Reidy from the Taos Center for the Arts reached out to Dr. Nelson for an interview. Aware of the upcoming NMSU Art Museum installation by Nikesha Breeze in January, Dr. Nelson agreed to the interview, requesting it be scheduled early January and the questions sent in advance, emphasizing his non-association with Breeze's work.
The interview, held on December 13, 2021, during a busy week for Dr. Nelson, lasted 20 minutes. Despite initial discussions, the Taos Center for the Arts combined Dr. Nelson's interview with Breeze's for a January 10th broadcast, focusing on a topic Dr. Nelson had researched. After some resistance, the Center fully credited Dr. Nelson's contribution following further requests and a threatened NEH contact, updating their records on February 9, 2022.
(Click on image to listen to Chelsea Reidy interview with Nikesha.). **The episode credited Dr. Timothy Nelson for his dissertation's contribution to the Blackdom story, though initially omitted mentioning Jacqueline Page’s interview with him about his research and writing. An email later revealed Dr. Nelson's interview was dropped due to insufficient content, marking another peculiar interaction with Nikesha Breeze’s projects. After discussion, the Executive Director of TCA, advised by their PhD board member, consented to edit the acknowledgment to include the interview. Both interviews are available for listening.
Nikesha Breeze was featured in an interview to discuss her art and experiences related to Blackdom, in anticipation of her upcoming NMSU Art Museum installation and the "Indigo" installation at the Albuquerque Museum. The "Where We Meet" project is NEH-funded and has a New Mexico fiscal agent.
The interview with Dr. Nelson was used to provide the needed historical context Nikesha Breeze was ill equipped to provide during her interview.
