Film Prize New Mexico 2023

BLACK IN NEW MEXICO

LOGLINE

A young Black New Mexican woman seeks to uncover “the black experience” for herself and others. Her hope is that by looking to the past and present, She might fully comprehend what it means to be “Black in New Mexico”.

FILMMAKER INTERVIEW

Tell us about the film you entered into the Film Prize Junior competition.

Black in New Mexico follows different stories of black New Mexicans to tell the story of what it’s like being black in New Mexico. We interviewed Dr. Timothy Nelson, and students from Amy Biehl High School.

LOGLINE

A young Black New Mexican woman seeks to uncover “the black experience” for herself and others. Her hope is that by looking to the past and present, She might fully comprehend what it means to be “Black in New Mexico”.

FILMMAKER INTERVIEW

Tell us about the film you entered into the Film Prize Junior competition.

Black in New Mexico follows different stories of black New Mexicans to tell the story of what it’s like being black in New Mexico. We interviewed Dr. Timothy Nelson, and students from Amy Biehl High School.

Tell us about a scene you had an absolute blast filming!

I think my favorite scene to film was probably the interview with Dr. Harold Bailey. He had a great wealth of information and it was so fun getting to interview and looking back on it in editing because he had great advice.

What is your goal in sharing this film with our festival?

I hope I can tell black stories you don’t always hear and that forces New Mexicans themselves to think about hard topics. This film directly challenges the narrative many New Mexicans are told and the black stories in our state matter.

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What obstacles challenged you and your crew the most when completing this film? What did you learn from making this short film?

I think what challenged us the most was probably people quitting the project before it was finished and a health scare from my mentor. For a little bit, I was kind of freaking out and had to calm myself down but we made it work.

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Why are opportunities like Film Prize Junior important to students today?

I think opportunities like this are important because it gives young filmmakers who are just starting out a chance to prove themselves. It is also a great springboard for experience that many don’t get when starting out.

What advice would you give to future participants in Film Prize Junior?

I think my advice would be to find a story you care about because that will give you motivation to see your project through. The second piece of advice I would give is to be organized and be prepared. You never know what can happen during filming, but you can try your best to put your work forward.

Golden Ax by Rio Cortez · Google Books Audiobook preview: https://www.youtube.com/watch?v=UhX1dBh4W4k&t=8s

Much like the way Afrofuturism seeks to envision a future for Black people at the intersection of imagination and science fiction, a future that also seeks to remember the Black past, in many ways Golden Ax hopes to find its place and definition as a work of “Afropioneerism” or “Afrofrontierism”—terms that describe and inform my family ancestry and experience. This work is autobiographical, but it is also a work of imagined history. These terms approach my experience of girlhood in Utah, wondering how we came to be there, feeling singular in a place where I knew we had been for generations.

Continuing to ask myself, “How does a story begin?,” the question became an obsession. This is a question so many ask, whose histories are cut short by the design of transatlantic slavery. I no longer wondered to myself whether aliens possibly put me on Earth, smack-dab in the Wasatch Mountains, or other systems of sci-fi that I transposed onto myself as a child. Eventually, the question became an urge to mine the hidden history of the Black West, and to tell the story of how we came to settle that frontier, both physically and spiritually. The poems in Golden Ax reflect the outward and earthly landscapes of the Afrofrontier, and the inner, cosmic imagination of the Afropioneer.

NOTE: Rio Cortez, Penguin Books and LitHub have validated the word Afrofrontier to be one word without a hyphen; according to Dr. Nelson, it was discussed at length amongst his dissertation committee; it didn’t exist at the time so the hyphen was required.

Links to other articles:

https://www.globeslcc.com/2023/04/24/rio-cortez-golden-ax-poetry-reading-taylorsville-campus/

https://www.shondaland.com/inspire/books/a41002124/rio-cortez-golden-ax/

https://the1a.org/segments/poet-rio-cortez-on-afropioneerism-and-black-settlers-out-west/

https://www.poetryfoundation.org/harriet-books/reviews/158301/golden-ax

NATIONAL NEWS - month long calendar of special events

by Megan Sayles AFRO Business Writer February 9, 2023

Notice the hesitation to use Afro-Frontier; booming “African American frontier in New Mexico.”

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Check out State Historian of New Mexico, Rob Martinez on his YouTube channel!

New Mexico State Historian Rob Martinez mentions Blackdom at 07:00:00 Published August 16, 2021

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WE ARE SHARING THIS ARTICLE AS AN EXAMPLE OF HOW DR. NELSON’S WORK HAS HAD AN INFLUENCE ON SHAPING A NEW NARRATIVE OF NEW MEXICO BLACK HISTORY. [Frank Siekyi is an African Scholar]

“Closest articulation of Dr. Nelson's work yet.” ~M. Roybal

by Frank Siekyi - August 5, 2021

BLACK OIL COMPANY: Blackdom Oil Organization began in 1919 during the Red Summer which denoted a time of cross country savagery against Individuals of color. That year Blackdom, New Mexico’s just all-dark town, gone into contracts with Public Investigation Organization and Mescalero Oil Organization. Oil was first found in southeastern New Mexico in 1907, acquiring the district the epithet “Little Texas,” however the main fruitful business wells started creating in 1922.

In 1919, “Blackdomites” [Dr. Nelson’s coined term] profited with the hypothesis bubble that happened before the principal all around was bored when a portion of its residents fused the Blackdom Oil Organization. Conspicuous families locally including the Boyer, Ragsdale, Eubank, Entryways, and Collins families consented to store their territory with the Roswell Picacho Venture Organization to open it to oil investigation.

Blackdom started in September of 1903 when 13 African American men, driven by Isaac Jones and Blunt Boyer consolidated the townsite organization. The early years were tormented with dry spells in a dry-cultivating farming society. By 1918, for those delayed to demonstrate upland, possibilities for an oil blast in the area expanded their desperation to demonstrate up (acquire power) over their homesteaded lands.

Two ladies were noticeable in these endeavors in 1919. Ella Boyer was quick to exploit the hypothesis, finishing her patent on 160 sections of land neighboring Blackdom’s 40-section of land townsite (land prior licensed by her significant other Straightforward). Sometime thereafter Mittie Moore Wilson [Dr. Nelson’s research and work] homesteaded a square mile of land three miles south of Blackdom. Moore was a peddler who ran a place of prostitution twenty miles north of the town and was one of the space’s most affluent residents.

In January of 1920, Blackdomites reported in the Roswell Every day [Daily] Record, “Will Bore at Blackdom,” welcoming wildcatters and other oil examiners to take part in the blast that guaranteed wealth for Blackdomites who had lands made accessible for oil penetrating.

The whirlwind of promotions for Blackdom Oil [Dr. Nelson’s research and work] topped in the late spring that year as nearby occupants marked agreements with oil investigation organizations from New York to California. On September 1, 1920, The Roswell Day by day Record detailed that an unidentified California organization had “Made Area at Black dom.” The number of wells and barrels were created by Blackdom’s venture is at present lost to history.

During the 1920s, the actual town shriveled even as Blackdomites in the locale accumulated oil sovereignties. Eustace and Francis Boyer Jr., of the Boyer family, were a piece of The Second Great War partner of returning troopers who demonstrated up residences for the oil blast. Their dad Forthcoming Boyer, nonetheless, left Chaves Province where Blackdom was found and resettled in Vado, Doña Ana District, New Mexico in 1920. The Ragsdale family, in any case, remained and benefitted from the windmills they built on close-by properties and the oil income they acquired from the well on their property.

By 1930—and the beginning of the Economic crisis of the early 20s—Blackdom stopped to exist. Blackdom Oil, be that as it may, kept on creating sovereignties for conspicuous dark families nearby. Nearby papers detailed in 1930 that the Blackdom Oil Organization bored investigation wells no less than 1,600 feet down. Forthcoming Boyer, in a 1947 meeting, said that sovereignty installments to Blackdomites streamed all the way into the post-The Second Great Wartime.

Have you heard of Blackdom, New Mexico? Chances are slim. I myself never heard of the all-Black settlement that was founded in 1901 in territorial New Mexico.

Blackdom was located in the backyard of Dexter, a small farming community in Chaves County where I was raised. It was about two years ago or so when a researcher came to the Caroline E. Stras Research Room seeking information about the settlement and soon after I was consumed and I wanted to know more about the establishment.

With the current Black Lives Matter movement, I thought that this post was timely and believe it was the ideal time to share information about the settlement. I would like to point out that it is critical that within the archival profession to capture the history of underrepresented/marginalized groups. With that being said, I would like to share the history of Blackdom.